Alumni Authors

Authors' new books will be included in each issue of Alumni Connect, then added to the Alumni Authors website.

William Luis '71 has published Lunes de Revolucion: Literatura y cultura en los primeros años de la Revolucion Cubana (Lunes de Revolucion: Literature and Culture in the First Years of the Cuban Revolution) (Madrid: Verbum, 2003). The book chronicles the 131-issue existence of Lunes de Revolucion, published March 23, 1959 to Nov. 6, 1961 as the literary supplement of Revolucion, which was the official newspaper of the 26 July Movement. Luis, a professor of Spanish at Vanderbilt University, is a specialist in Latin American, Caribbean and African-Hispanic literatures and the recipient of an American Council of Learned Societies grant to write a book on Latino literature written in the United States. Luis is the author of several other books, including Culture and Customs of Cuba (Greenwood Press, 2000) and Dance Between Two Cultures: Latino-Caribbean Literature Written in the United States (Vanderbilt University Press, 1997) and Literary Bondage : Slavery in Cuban Narrative (Texas University Press, 1990). He has also edited or co-edited six books focused on Latin American literature.

Cindy Schwarz '80 has published Tales from the Subatomic Zoo (Small World Books, 2002), a collection of stories and poems about subatomic particles written by her students at Vassar College. "I have always appreciated the power of student writing as an assessment tool," said Paul Hickman, Center for the Enhancement of Science and Mathematics Education at Northeastern University, in his comments about the book. "The construction of the stories and poetry, focused on the content of particle physics, allowed the students to demonstrate their understanding in a creative format that they clearly enjoyed. Through the writing process, they made connections and brought to life many of the abstract concepts they had learned."

Schwarz, an associate professor of physics at Vassar College in Poughkeepsie, received her PhD from Yale University in 1985 for her work in experimental particle physics. She has written two other books, A Tour of the Subatomic Zoo and Interactive Physics Player Workbook, and a CD-ROM, Interactive Journey through Physics. Schwarz visited the BU campus Oct. 3, 2003 to give a talk in the Physics Department.

Mark Cohen '80 has published Last Century of a Sephardic Community: The Jews of Monastir, 1839 - 1943 (Foundation for the Advancement of Sephardic Studies and Culture, 2003). In an August 15, 2003 review, The Forward called Cohen's book "an important addition to the study of Sephardic Jews." Cohen earned an MA in English from Tufts University in 1982. He is a self-employed writer in the San Francisco Bay Area.

G. Steve Jordan '80, photographer, published a collection of his photos, Strength Beauty Spirit: Images of the Mohonk Preserve and Shawangunk Ridge (Clove Editions, 2003). "G. Steve Jordan uniquely interprets the landscape of the Mohonk Preserve and Shawangunk Ridge, and has done so for more than a decade," reads the publisher's description. "Presented in book form for the first time, Strength Beauty Spirit is a collection of his evocative, often lyrical images. 'More than ever we need to pay special attention to the protection of the natural beauty we are so fortunate to enjoy here on the Ridge,' said Jordan, 'and I hope this book helps focus attention of this priceless natural jewel.'" A portion of the proceeds from Jordan's book will go to the 6,500-acre Mohonk Preserve. The Mohonk Preserve encompasses 6,500 acres in the Shawangunk Mountains, which are located less than 100 miles from New York City and have been designated by The Nature Conservancy as "one of the last great places on earth." Jordan, who has worked for the National Audubon Society and the National Wildlife Federation, now lives in the Shawangunk Mountains and has opened the Mohonk Images Galleries in New Paltz.

Debra Weinstein '83 has published Apprentice to the Flower Poet Z (Random House, 2004), a novel. "When Annabelle G., a working-class student of poetry, lands a part-time job assisting the renowned Flower Poet Z., she thinks her dreams have been realized," reads a Library Journal review by Eleanor J. Bader. "But as the truism warns, be careful what you wish for. The Poet flatters the impressionable 21-year-old, dubbing her an 'apprentice' yet continually requiring her to perform an array of thankless tasks and mundane chores. As a result, Annabelle finds herself typing, editing, and doing research while scurrying to shop for food, select gifts for Z.'s lover, and report on gossip about the Poet's competitor, a savvy younger woman named Braun Brown. It's a dizzying amount of work, and when Annabelle falters, the Poet becomes predictably apoplectic. The result is an often hilarious first novel. Weinstein . . . has crafted a send-up of pretension that lightly grazes such themes as betrayal, family dysfunction, lust, sexuality, and plagiarism. Although the book's conclusion feels rushed, Apprentice is a delightful read recommended for all fiction collections." Apprentice to the Flower Poet Z is Weinstein's first novel and her second book: Her first was a book of poems, Rodent Angel (New York University Press, 1996), for which she won New York University's Bobst Award for Emerging Writers. To read the first chapter of the novel, click here.

David Kocieniewski '84 has published Brass Wall: The Betrayal of Undercover Detective #4126 (Henry Holt & Company, Inc., 2003), a book about police corruption in New York City. "From the former police bureau chief of the New York Times, a vital, incendiary epic of crime, cops, and corruption in New York City," reads a review in Kirkus Review. "Kocieniewski brings insider knowledge and a flair for untangling complicated strife-ridden investigations to a shocking tale that began with the 1992 death of fire department lieutenant Thomas Williams in an arson clearly perpetrated by Jack and Mario Ferranti, vicious small-time mobsters in the Throgs Neck section of the Bronx. Investigators placed an aggressive young undercover detective (here provided the pseudonym Vincent Armanti) into the local criminal milieu. He quickly infiltrated the Ferrantis' shabby crew, but learned that a local police officer, John K. Wrynn, had grown up with the gang and was beholden to them. Wrynn's father was an inspector with Internal Affairs, making both nearly untouchable . . . Kocieniewski's wry, straightforward prose captures the moody desperation of a city reeling from crack-related violence and police scandals, as well as the tenacity of old-school organized crime in New York's less glamorous neighborhoods. He also paints a disturbing picture of Internal Affairs compromising investigations and impeding straight-arrow cops in order to protect officers like the Wrynns, affiliated with the department's so-called 'Brass Wall.' Old-style urban drama: hard to put down, and probably the best look into the NYPD since, well, James Lardner and Thomas Reppetto's NYPD (2000)."

Pierre Joris, PhD '90 has published A Nomad Poetics: Essays (Wesleyan University Press, 2003). The publisher's description reads: "With the artistic and social climates of the twentieth century -- and the last millennium -- behind us, how do we, in the words of Ezra Pound, 'make it new' In what tongue and to what ends will the vital poetry of the future be written? Noted scholar, poet, and translator Pierre Joris has answers, mapped in the unflinching revelations of A Nomad Poetics, his landmark first collection of critical essays." An editor of the acclaimed Poems for the Millennium: The University of California Book of Modern and Postmodern Poetry, Joris is the author of 22 books of poetry including Poasis (Wesleyan, 2001). He has translated widely in French, German, and English, introducing readers to the work of, among others, Celan, Tzara, Rilke and Blanchot. Joris is a professor of English at SUNY Albany

Philip Brady, PhD '90 has published To Prove My Blood: A Tale of Emigrations and the Afterlife (Ashland Poetry Press, 2003), "a memoir as modern Irish-American history charted in the lives of four emigrant sisters and their families," according to the publisher. "Here, in the voice of one of their sons, the McCanns' passage from Northern Ireland to Brooklyn and beyond is rendered as a series of mysteries rippling from 'the long swim back through time.'" John Vernon, author of The Book of Reasons, wrote of To Prove My Blood: "In prose richer than most poetry, Philip Brady proves that to go forward you go back. To sneak up on easeful death, you go back to primeval Brooklyn, mythological Ireland, equatorial Africa, ancient Greece. There are no straightforward chronologies here; instead, Brady executes a string of backward flips during which he repeatedly sings his own dirge. What a performance. What a bite out of life!"

Brady has several books of poetry, including the chapbook Plague Country (1990), Forged Correspondence (1996) and Weal (2000). He has won numerous prizes for his poetry, including four Ohio Arts Council Individual Artist Fellowships, a Snyder Award from Ashland Poetry Press, a Thayer Fellowship from New York State, and residencies in Scotland, Spain, and the Czech Republic. He has taught at the University College Cork, Ireland, and, as a Peace Corps Volunteer, at the University of Lubumashi in Zaire. He teaches at Youngstown State University, where he is director of the Poetry Center.

Dean Rader, MA '91, PhD '94 has published Speak to Me Words: Essays on Contemporary Indian Poetry (University of Arizona Press, 2003), a book he co-edited with Janice Gould. "Although American Indian poetry is widely read and discussed, few resources have been available that focus on it critically," reads the publisher's description. "This book is the first collection of essays on the genre, bringing poetry out from under the shadow of fiction in the study of Native American literature. Speak to Me Words is a stimulating blend of classic articles and original pieces that reflect the energy of modern American Indian literary studies. Highlighting various aspects of poetry written by American Indians since the 1960s, it is a wide-ranging collection that balances the insights of Natives and non-Natives, men and women, old and new voices."

Rader also co-authored The World is a Text (Prentice Hall 2002) with Jonathan Silverman. Recent poetry and translations have appeared in Borderlands, VEER, and Synergisms: An Anthology of Collaborative Writing. He is at work on a new book project titled Engaged Resistance: American Indian Art, Literature and Film. Rader is associate dean for Arts and Humanities and assistant professor of at the University of San Francisco.

Carol Faulkner, MA '95, PhD '98 has published Women's Radical Reconstruction: The Freedmen's Aid Movement (University of Pennsylvania Press, 2003). "In this first critical study of female abolitionists and feminists in the freedmen's aid movement, Carol Faulkner describes women's radical view of former slaves and the nation's responsibility to them," reads the publisher's description. "Moving beyond the image of the Yankee schoolmarm, Women's Radical Reconstruction demonstrates fully the complex and dynamic part played by Northern women in the design, implementation, and administration of Reconstruction policy. This absorbing account illustrates how these activists approached women's rights, the treatment of freed slaves, and the federal government's role in reorganizing Southern life as inseparable issues." Faulkner is an assistant professor of history at SUNY Geneseo.

Evan Selinger '96 has published Chasing Technoscience: Matrix for Materiality (Indiana University Press, 2003), a book he co-edited with Don Ihde. The book "aims to bridge the gap between philosophy and science and technology studies," notes Selinger's RIT faculty home page. Chasing Technoscience "brings together the work of four prominent figures -- Bruno Latour, Donna Haraway, Andrew Pickering, and Don Ihde -- who make technoscience, or science embodied in its technologies, a central theme of their work." Selinger is an assistant professor at the Rochester Institute of Technology. He received his PhD in philosophy from Stony Brook University in 2003.

Ruchir Gupta '01 has published The Ramayan: A Poetic Translation (2003, Global Scholarly Publications) the only English translation of the sacred Hindu text written in the same poetic form as the original story. "The story of Ramayan has probably been retold more than any other story in the history of the world," reads the publisher's description. "It predates the Holy Bible by at least a couple of centuries, and unlike the Bible or the Koran, it is not the cornerstone of a major world religion. Rather, the Ramayan is one of the many sacred texts in the Hindu religion." Gupta's translation "is an excellent starting point for anyone interested in Hinduism, as the story is presented in a concise, easy-to-follow manner, followed by a simple analysis of the main points at the end," notes the publisher.

Gupta was a political science major who took the required science courses and entered Upstate Medical School, where he is serving a rotation under Al Wolkoff '61, PsyD, at United Health Services hospital.


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